bRYE_thAUGHTs

(^ most recent thINgK I dung..

2010-12-22T02:05:00.001-08:00

(^ update on stuff I dung

2010-11-16T10:11:00.000-08:00

tHere

windows-7-just-wants-to-hold-macs-hand

http://www.microsoft.com/showcase/en/us/details/66035bef-a1d3-4b48-a5b5-d3fbbc28c723

needs silverlight. or simply download wmv

(^ yep. another one worth watchin

2010-10-19T14:08:00.000-07:00

THIS

(^ wake up. not even Vinton does it in clay

2010-06-19T08:02:00.000-07:00

radio free exile: sometimes you stop...

2010-04-16T04:15:00.000-07:00

radio free exile: sometimes you stop...

(^ something to mouse over

2010-04-13T23:18:00.000-07:00

space test

person I"ve been hanging out with la8ly

2010-03-02T08:10:00.000-08:00

Ryan Henry Ward from Scotty Mac on Vimeo.

(^ Happy VD" sounds so wrong no matter how heart filled."

2010-02-14T16:29:00.000-08:00

long ago I liked taking pictures

(^ but4k(n0We)?

(^knAUGHT knot sew mucho.

(^ yay Ellyn: long time miss the voice. Maybe. ( on being an artist)

2010-01-21T14:22:00.000-08:00

(^ long ago, I went for a walk with this woman. two headphones. one on her one on me. late night walk strapped together to a sony walkman.
(^ i miss those kind of odd connections.

Watch live streaming video from radiofreeexile at livestream.com

(^ sew. tHere's to all those I missed. and find.

(^ FOUND ONE! by golly Ellyn maybe is looking grand!

(^ testing what happens in the times

2010-01-16T21:44:00.001-08:00

Layoffs underway at Walt Disney Studios amid consolidation of operations [UPDATED]
January 14, 2010 | 9:35 am

[Updated at 10:45 a.m.: An earlier version said stage productions were affected, but that information could not be confirmed.]

Walt Disney Studios has further streamlined its distribution and marketing operations.

Twenty-three-year domestic distribution veteran Chuck Viane will take on added responsibilities for international sales across 70 countries. In communications, another studio veteran, Heidi Trotta, senior vice president of studio communications, is transitioning to a consulting role, as former theme parks publicist John Nicoletti takes over as vice president of global communications. He will be joined by Paul Roeder as director of global communications.

Christine Cadena, senior vice president of marketing, will take on a new role as senior vice president of multicultural initiatives. Michelle Sewell has been promoted to senior vice president of global publicity, overseeing both domestic and international publicity departments, and she will be responsible for executing worldwide publicity campaigns for Disney's live action and animated movies. Sewell is to report to the studio's head of marketing, a position Walt Disney Studios Chairman Rich Ross has yet to fill after ousting Jim Gallagher and his boss, Mark Zoradi.

Disney confirmed that it is continuing its "reorganization of the workforce," with dozens of jobs lost from its home entertainment division.

"Our industry is evolving rapidly," said Ross in a statement. "In order to remain at its forefront, we are adapting our organization to be more agile, creative and responsive."

A round of layoffs has begun at Walt Disney Studios today as part of a continued, sweeping restructuring of operations under Ross.

Attempting to rein in costs, the Burbank studio has been consolidating operations within its theatrical and home-entertainment divisions.

The cost-savings move comes as Ross and his boss, Disney Chief Executive Bob Iger, have continued, since last fall, to remake the studio, streamlining its business units and ousting a number of top executives in production, marketing and distribution while clamping down on the costs of making and promoting movies.

Nearly four years ago, Disney undertook a similar belt-tightening move when it combined its domestic and international theatrical and home-entertainment marketing and distribution units, resulting in 650 employees losing their jobs and saving Disney about $100 million in overhead.

Update: (12:10 a.m., Jan. 15): For more on the layoffs and the appointment of Sean Bailey as Disney's president of production, see the story in today's Times.

-- Dawn Chmielewski and Claudia Eller

(^ not much to say. but this helped me not have to.

2010-01-13T00:46:00.001-08:00

(^ thanks. I kneaded that.

(^ yOUR mothers dress me funny"

2010-01-11T11:55:00.000-08:00

at zoo 2010

(^ my wife has decided to add content to facebook.
(^ it is then that I come to realize
(^ how just plain off I've come to be
(^ to those not inside my head
(^laughing at the silliness
(^ of conventional modicum of conventional wisedumbfoundedness.

spot the looney

geeTANKS!

(^ one night I allowed my voiceprint . hear me rant.

2009-12-25T12:41:00.001-08:00

Watch live streaming video from stopmotionmagicchat at livestream.com

newer shows below:

Watch live streaming video from stopmotionmagicchat at livestream.com

Darkmatters

2009-12-13T21:21:00.000-08:00

Darkmatters

(^ time flies and missed stepped spirituals

2009-12-12T12:30:00.000-08:00

http://notesfromhalfland.blogspot.com/2009/12/eureka-new-idea-how-time-flies.html remind me of things I wish I had time and space for:

http://www.youtube.com/user/USeyOUReWEs

Thad,
I miss working on.

(^but this almost makes up fer it.

(^ why does this matter?

2009-12-12T12:24:00.000-08:00

peopleingorillasuits: mary & max

2009-12-04T18:06:00.000-08:00

peopleingorillasuits: mary & max

"PHIL": Have a nice trip? C U Next Fall...err sUMMerr?

2009-11-21T17:54:00.000-08:00

"PHIL": Have a nice trip? C U Next Fall...err sUMMerr?

(^ t00m00nz test

2009-11-21T12:19:00.000-08:00

jest cause

Watch live streaming video from radiofreeexile at livestream.com

(^ fri0NEthree: a tWITCHin the mix

2009-11-13T14:15:00.000-08:00

(^ decided to pop and plop an old sculpt of mine here as contextual link to r=treacle mining:

(^all saints del morte gone past footnote on letendre visit

2009-11-03T22:05:00.000-08:00

wrapping it up:

(^ well. hmmnn.. let me process all this for a bit:

(^wtf?!^)

(^ but let's say the trappedgoldfish888 hath learned to fly via train tracks

more l8R
perhaps over tHEARe:

(^ wHere to g0DE from tHere?

2009-10-05T05:50:00.000-07:00

(^ long ago... like over 17 years....

(^ trapped in some archivist's daymare,
(^ began slipping out into public on sunday .

(^ these shots came from some of those daze.

(^ and then the reaction

(^ to all my musings:

http://web.archive.org/web/20020204220621/www.eskimo.com/~wakemup/port/DanBern/DanBern.html

(^ far past pasted in the beginnings:

2009-08-11T12:03:00.000-07:00

(^ seems the TrappedGoldfish
has gotten BUSY uncovering and decompressing some of my far past:

(^so. tHere.

(^ this one or two shows that Mr.B isn't quite finished making stuff,

(^ no matter how often people try to claim he is.

finger drumbings of war muffins

2009-07-29T13:48:00.000-07:00

mp3 includes me around 9:55 speaking of bicycles and muffins that saved my life.
(^ thanks http://exileguy.mypodcast.com/200743_archive.html, specifically http://exileguy.mypodcast.com/2007/10/Drums_Of_War-51574.html

(^ these things still matter
(^ when oh bomb ah ha isn't REALLY changing
(^ how we kill: just adjusting ...whom and where.
(^ even the WHY seems a never ending battle for commodities marketeers.

(^ here's to deflation.
(^ poverty to the highest for the lowest denominations. aye ?..mmMAN !
(^ the bluebloods come in all shapes and sizes don't they?

(^ Thursday mach T00dles

2009-07-23T13:42:00.000-07:00

fun to watch to clean the pallet after listening to
http://www.stopmotionmagic.com/stopmotiontalk/

(^ beCAUSE Thursdays matter: radio free exile: Dan Bern - Estelle

2009-07-23T11:44:00.000-07:00

radio free exile: Dan Bern - Estelle
so I sit down nowand look thru old back and forths: side to side comments on who and how I became a kNOwbody:

(^ I"m about to cropy paste a bunch of scary wtf's up in tHere: but found listening to this helped cut into the madness:
===initiationg backwashed up rantings :
>>>>>>date Sat, Jul 19, 2008 at 9:26 PM

subject question about pay
details 7/19/08 (^ it begins again:

This job I'm auditioning for is Assistant Animator.
Do you have any idea how much that pays?
I heard that it would at least be enough
to be able to afford to live on downtime between projects
(more likely in larger animation studios).
-Done-
>>>>>>>.(^ now it gets dicey:^) vvvvvvv
> This job I'm auditioning for is Assistant Animator.

(^ yep. if so, mark my words.

> Do you have any idea how much that pays?

(^ if I did, why should I tell?
(^ honestly. tell me why I should trust you?
(^ so far all you've done was contact Jay Lee.
(^ and dragged my ass out into public
(^ when I've been quite comfy hiding in the shadows.

> I heard that it would at least be enough to be able to
> afford to live on downtime between projects
> (more likely in larger animation studios).

(^ figure it out yourself.
- dung-
##############(^ and then this:########
ate Sat, Jul 19, 2008 at 10:27 PM
subject RE: question about pay

unhide MORE details 7/19/08

Reply

Follow up message not the money

It would help your case for summoning me to Seattle. Which I'm rapidly losing interest in, by the way, because you're not being nice.

As far as why you should trust me...In every job I've ever had, I worked the hardest and had most responsibility out of all of the employees. I don't have a criminal record, I never miss a day at work to go play in the sunshine or call in sick when I'm not. I don't steal, I don't lie, and I don't tell secrets.

As far as contacting Jay Lee, I was just trying to get ahold of YOU! I don't think I was the one who found him, anyway. I would bet it was Strider. I believe he found both of you while I was searching for bruce's email address.

>
> (^ if I did, why should I tell?
> (^ honestly. tell me why I should trust you?

=========(^ ok so I learned never trust someone only in this for their own interest ratings====
(^ and I .. blew up wide:

it really really helps to listen to
untimely while reading the below:

ready? already know what you need to know: I'm a slavedriver.
==============baah baah dadaismBOOM!=======
(^ ok that's fair.
(^ trust me. I don't want to stay at bickfords either.
(^ so. here's the rub.
(^ I DO NOT know the going rate. period.

(^ best answer to that question? honestly truelly?

(^ here goes. you COULD say " the going rate"
(^ you know. dump it back in their lap: watch their reaction.

(^ I worked for $75/00 per DAY when I started.
(^ production assistant wage back in 1986.

" depends on with or without my name in the credits."

(^ sounds smart ass, but actually matters.
(^ no credit? insist on higher wage to compensate for not having
proof you worked to put on demo reel.

(^ I had a wife. I HAD to take hush money to ma(shh)ke ends try to meet.

(^ another good one?

(^ ".. do I get an animators union card out of it?"

(^ oohh.. wince.

(^ I'm NOT trying to be flippant. truelly I'm not.
(^ it just depends on so many factors that nobody is supposed to even
TELL. because no two individuals are getting paid on the same
conditions.
(^ that is ONE thing I learned way early..

(^ Clasky /Ksupo was paying westly archer $1,200.oo a week: later
upped it to $2,400.oo I think.
(^ don waller? he refused to ever work for less than $3,000 a week.
(^ at least that's what he CLAIMED.

(^ commercials pay more but are short lived.

(^ you COULD ask the NASTY question:
(^ " staff position or permalance?
(^ who pays the taxes? laika or me?
9^ its this position a 2 week, month, 6 month contract? what?

(^ depends on who I'm assisting I guess" might be good too.

(^ easy to get along with? learn a lot?
(^ take a pay cut.

(^ you get thrown to a cranky fart
(^ or someone super persnickety
(^ that knows how to animate
(^ but NOTHING about camera, sound sync.. postop etc?

(^ negotiate.
(^ that's the part I fail at.
(^ I just say SURE! pay me whatever you think is best!"

(^ ..WRONG!

(^ but first off? the pay part COMES LAST.
(^ NOT first.
(^ I learned that from working oat Landmark entertainment as a model lead.

(^ I sat.. waited (after waiting 3 weeks for a callback, mind you)
I had a figure with me and a bunch of photos: some names I'd
worked with: told them I heard from churchill films they may be
hiring.

(^ this was back when Sellick had called John Mathews DESPERATE to
snag Jestin Kohn, Peter, and Joel Flrtcher AS SOON AS Ralf S. Mouse
wrapped. to work on some secret big budget deal he'd been contracted
my some big hollywood dude to coordinate and find talent.

(^ you follw me?I alter some spellings just because.
(^ anywho. I could have gone to San Francisco too to work
on nightmare before Xmas, but CHOSE to try and stay married INSTEAD.

(^ it would have required me leave her behind for about 8 months.
(6 we'd been married less than 2 years, and those years were DISSASTROUS.

(^ why am I tellimng you all this?
(^ because, .I'm a mental retard and too tired to care anymore.

(^ you try to cover up your past and you'll discover how small the
stop motion community REALLY is.

(^ I'm simply trying to warn you.

(^ trying to cover shit up takes TACT.
(^ what I wrote to you earlier about the tests? was real info. no scam.

(^ who knows. maybe yer old friend was finally able to look up from
final crunch month and think, sure why not?

this MAY all go back to Ashly.
MAY go back to only your friend.
May incorperate the others pluiugging you, including Ron Cole.
He's KNOWN, pram. hell who he apprenticed for was REALLY known.

and note: stopmotionanimation.com MAY ACTUALLY BE ON LAIKA's SERVER.
it wopuld make.. sense.

(^ hell, pram. i talked a lot of this over with someone working at
Phil Tippets .
(^ someone else, said " yes those were fun years.. I havent touched
a puppet since 1994"
and THAT one worked on peter jackson's king kong.

I'm not the enemy, Don.
(^ I'm a Has been wannah be who has no taste for the backstabbing
politics it sounds like it takes to get work.

(^.. did you know I was SOooo pissed when I heard Lionel had told
Chris he wasn't serious enough to even quote a ball and socket
armature price to?

(^ that, along with castle gardeners illness..
(AND YOURS) from what I accidently found via random searching a little..
(^ those factors along with strider's continual prodding and
coaxing, got me to blow up and make my underwritten name known
lloud enough I made a dent in the blankfaced wall known as old
timers thinking snubbing newbies or trying to get paid to teach
out of date skills.

I almost gave up and walked off, then Ron Cole emailed me personally
and apologised to me for misunderstanding what I was doing.

(^ after that? I decided to stick around a bit.
see if I could actually help at ALL.
sigh. there. I've said a lot.

(^ after all this is sorted out, like next week or something?
ask me for fwds of stuff going on behind the scenes trying to help you out. ok?

(^ but right now, i have an old lady and her scottish terrior to sculpt
and try to get shipped to Rochester NY before she dies of lung cancer.

(^ Chris Rogers was hovering over my computer when I took the call, ok?

(^ everything is connected.
but I'm NOT connected to the cash flow.

(^ I take care of those on their deathbed for karmic debt reasons.

ok? enough. sigh. I'm going to cc. this to chris rogers so he knows
I'm unplugging not because I'm pissed , a megalomaniac ( tho who
knows perhaps)..

(^ but because I need to focus on making a going away present for
someone most likly going to die within the next few months.

also sending this off to Ron Cole because I really need to stop
foe cussing on stop motion for a bit and re-focus on what I do better.

(^ letting old friends cry and grieve over things that have no cure.

(^ how long is the job? credit in the - Hide quoted text -margins?

(^ another Thursday: another inspiration.

2009-07-16T10:12:00.000-07:00

Dried Up from Cecil on Vimeo.

(^ not sure what else to say. hope the mikes and Dans see this. glad herself shell nobelly earmarked it.

(^ because once a week is enough.

2009-07-09T19:13:00.000-07:00

THURSDAY:

post campiness.

(^ sometimes a spooning of cups

is more than a mouth

full of tearedropeswings.

(^ splchk "tearedropeswings" = teleprocessings eavesdropping

(^there are moments
when all thINKgs run dry:

(^ even what to say,

oddly enough.

(^ Thursday : a time to let them eat food forthAUGHT

2009-06-25T09:54:00.000-07:00

(^ I've been studying my past: generally on Thursdays.

(^ Thursdays hold a placemark in my heart because of one Ms.Kitten from my childhood, and has much to do with the idea that some things can be done for no reason other than because it's time .

(^ scheduling is odd to me.
(^ I'm still getting use to it.
(^ setting the time to do things not because they can't be done some other time, but because the ritual can both free up ideas as well as trap others into being a part or apart.

(^ I often opt out of interacting with others. seldom works out anyway..
(6 but.
(^ thursdays is partially my exerted effort to make that change over
(^ to volunteer for old and new contact contexts.. reviewing the times conact HAS had a use filled effect.

(^ Why?
(^ because it's Thursday.
the day before friday: the weekend.
the beginnings of another end.

(^because it's Thursday::more revealed

2009-06-18T15:47:00.000-07:00

wokin-shoes-for-gum-chewers

Thursday, June 18, 2009
(^ wokin' shoes for gum chewers
(^ long long ago, i had this odd conversation on the coming of a new era.
(^ meanwhile, the way things were was frustratingly implausible
(^ to get past testing beta blockers and then I realized why:

(^ folk were trying to make a living.
(^ and that sometimes meant making sure others
(^ couldn't undercut their bids.

(^ it upset me to no end to know that
(^ the main reason things were done the way they were was because
(^ the older "masters" had clunky old outmoded
(^ (and overpriced)equipment and storage /studio rental costs
(^ that made letting go of it as a biz loss and starting fresh
(^ with a cheaper faster BETTER biz models was unlikely from the outside.
(^ anyone offering it would be hushed over with the "2 out of 3 ain't bad" line.

(^ .. so I started ranting at insiders.

(^ just because i cared.

(^old old old ` perposals`

2009-05-27T09:40:00.001-07:00

THIS place often has interesting ..stuff.
(^ when you put this

(^ back to back wit THAT?

(^ then eWE ca..N..zzzz..T.. sPEAK into each other's soul perposals.

(^ spellINKg checkmarkerroneons "perposals" =
proposals perpetuals perusals personals

Darkmatters

2009-05-19T11:10:00.000-07:00

Darkmatters

(^ recalling thINKgs to forget about it

2009-05-12T11:48:00.000-07:00

from one more thing to forget

==========fun . i love this sort of sojourn: ========

Thursday, January 8, 2009
monster road continues
at the gate.
is he asleep? did he forget i was coming?
this is my first day working with bruce.
he doesn't answer the phone at first and i call brian to help me.
"real simple," brian says, although it is seldom simple with a guy like brian. i guess bruce was taking a piss off the back porch, he tells me. he's coming out now and brian keeps talking.
something about bruce makes me think of nick cave. i think its how his long white hair sticks up at front. a widows peak?
bruce walks slowly to the gate. opens it. lets me in.
i drive my car slowly up his drive and he leads the way on foot. i watch has he bends over a wood pile beside his house and rearrange a blue tarm cover. he pushes a little wheelbarrow behind the house. hes been collecting wood, he tells me.
"how is the drawing coming along?" i ask him. someone from west virginia gave bruce an upfront commission to draw something, anything at all. fifty bucks. six months later, he worked on it a little.
martin olsen is also waiting for something. some guy at disney asked for bruce to send him something. some guy at dark horse comics, too. six months later, bruce has some sketches and loose outlines.
bruce recently saw dark knight. wally pfister personally recommended it to him when they met at the denver film festival.
today, we are walking around his kitchen and discussing the origins of these projects. he has an old wood country stove and an electric camping kit.
he heats up some water in an old tea kettle and offers me a cup of osmething hot.
brian told me yesterday, i was brave to accept it. the camera crew was a bit weary as if there is something in the tea. psychoactive chemicals and they'll make you crazy!
i'm glad brian isn't with us today. he can be a bit dramatic and over analyze things.
we worked on a press release together. i'm not sure if this is what he should be doing right now but i'm not sure how to orchestrate a better plan.
a photographer showed up with pictures. i told her that brian brought me and she was confused. she doesn't know him, bruce told me.
"who is brian?"
"he is a nutcase," he tells her. "he is useful for some things but he argues all the time and he alienates people."
bruce told her about his recent discovery of caffeine and his adverse reactions to it. he had this conversation with me, too.
we took a tour of the garage. bruce walked around and showed us things. some clay figurines are from the zappa years and i recognise them from videos i had seen on-line.
funny how the other day, brian said bruce was allergic to the oils in the clay. he said bruce was unable to enter the garrage because he was so adverse to the fumes. and here, bruce is walking through his history with us.
i am begining to rethink everything brian had told me.
....
(^ as if telling a tale is the same as living it.
.........
Posted by platypusrex256 at 10:21 AM 0 comments
Labels: animator, bruce bickford, monster road

Blog Archive

* ▼ 2009 (43)

+ remember this guy?
o ► March (7)
+ he could talk for hours, nobody listened
+ politics are lame

o ► February (1)
+ bruce and my life
o ► January (8)
+ manifesto of creative passion
+ french wine and monster road rap
+ wasted time at the library
+ meeting producers. meeting girls.
+ first video post
+ transcribing stories
+ get your fill at the bp station
+ monster road continues

* ► 2008 (18)
o ► November (5)
+ existential journalist mannifesto

platypusrex256 is a Creative Content Designing native vashon islander
who loves video.
talk to him.

(^ yay exhileguy

2009-05-11T12:27:00.000-07:00

underhanded mess.aging on financial brewHAha

"PHIL": "Phil" Lyrics

2009-05-08T17:48:00.000-07:00

"PHIL": "Phil" Lyrics

(^ it's just stuff that's just tough.

2009-05-08T13:03:00.000-07:00

(^ hi_tHere. prosser overThere.
(^ just refibulating a few loose tendrils:
(6 I wish to start spewing your
T.H.E. .M.U.S.E. .A.N.D.. .W.H.I.R.L.E.D. .R.E.T.O.R.T.
onto
http://windupwinded.blogspot.com/

(^ you mind?
i want to start by simply tex dumping the below:with perhaps a link to the myspace or wherever you'd like that has the rest of the rant:

*********IMPORTANT***************************************************

T.H.E. .M.U.S.E. .A.N.D.. .W.H.I.R.L.E.D. .R.E.T.O.R.T.
May 01, 2009
Vol X Issue vii
New York, NY

Ya know how when you watch news reports of say… an anti war protest that you attended, and you sit there scratching your head going – "That's not the event I was at, that's not at all what happened."

They report one hundred thousand people as a thousand. Some right wing or even main stream media outlet would interview the most whacked out far leftist saying, "The planes… if they WERE planes… wink wink… were flown by remote control from an adapted X-box joy stick by Dick Cheney and his dominatrix, Ann Coulter from their private bunker so he could start a war and give the public treasury to Halliburton who is using the profits to build concentration camps for any one who has ever considered contributing to National Public Radio." Then the reporter looks straight into the camera and says, "Well there you have it, the voice of the left."

That's what I was thinking when I was watching news reports of the "Tea Parties." I would watch the most whacked out misinformed inarticulate right wingers spout far out hate. "Nancy Pelosi's mother was a secret mistress to Adolph Hitler who satisfied his cross dressing fetish in order to keep any one from knowing the Pelosis are Masons."

I actually found myself having sympathy for the right. I know how it feels. The other side takes your arguments and twists them into some divisive diatribe.

Then I realized, I wasn't watching the other side. I was actually watching Fox News. The ones who sponsored the event.. This wasn’t some left wing news channel trying to smear the right.

This WAS the right.

This was the best they had to offer. This was actually their point of view. HOLY COW!

My favorite moment in the news coverage was Rush Limbaugh stuttering and stammering - obviously confused about the meaning of tea bag - saying. "I gave myself a bikini wax for this?" (not in New Jersey but I digress…)

Don't get me wrong, I love a good demonstration even if I don't agree with it. But that's just it. This was embarrassing. I blushed. Not since George Bush declared "Mission Accomplished," has anyone gotten it so wrong. Now, I realize that these events were meant to be symbolic, but that’s just it. They didn’t even seem to understand the symbolism of their own symbolic event. I found myself craving tea well, at least symbolically. Oddly many of the events actually served tea.

The whole reason America is hooked on coffee instead of tea is because of – well the Boston Tea Party.

I mean, when they called them selves "Tea Parties." I assumed they were naming them selves after the afore mentioned event – but I am not really sure. They did wear three cornered hats and sounded like they had drunk a few to many Sam Adams. Their ideals, however, seemed to have more in common with some blue blood aristocratic ritual involving the serving of tea from heirlooms with finger bowls and mango chutney than what happened in the bitter cold Boston winter of 1773.

Ya see, in 1773 the East Indies Company (the Wal-Mart of its day) which owned the tea that was thrown into the Boston harbor was actually receiving a tax break. The enormous profits allowed the East Indies company to avoid middle men (ie colonial merchants who did not receive such a tax break and had no representation) and set up their own "big Box" stores driving local merchants from business. (sound familiar?)

If the Tax Day Protests wanted to resemble the Boston Tea party they should have gone out and hijacked a Wal-Mart truck and thrown its goods into the Boston Harbor. They should have protested goliaths like Exxon and Mobile. They should have commandeered a freighter and poured the oil into the ocean. Oh, wait that's are already happening.

They should have come here to Washington DC and joined the cause for state hood. Our license plates – by the way – read "No Taxation With Out Representation."

There are after all more… umm…. American citizens? in the District than there are in the State of Wyoming. (Who gets three votes in congress.)

Where are those Tea Partiers on that issue. I am sure they would be for it if only their weren’t all those pesky poor black people that might be given a voice. The radicals in Boston had more in common with Somali pirates than they do with Sean Hannity.

Somalia, after its government collapsed in the early nineties, has had foreign ships (many who considered Somali a colony at one point in their history) trolling their undefended waters harvesting seafood to the brink of extinction. The "developed world" is contributing to the starvation there far more than any foreign aid package is helping. But the biggie is merchant vessels steaming to Somalia for the purpose dumping nuclear waste (YES nuclear waste) in its defenseless waters. Gotta put it somewhere. After the 2005 Tsunami hundreds of the dumped barrels washed up on shore. Radiation sickness killed more than three hundred.

I don't think I would be to happy about seeing a merchant vessel either.

Sure many of the Somali pirates are thugs and gangsters looking out for their own self interest, just like… well those who dumped tea into the harbor in Boston.

Like America's colonial history – the closest thing the Somalis have to any sort of navy to protect its harbors are pirates. Where is Jean Lafitte when ya need him? Now, I am not justifying hijacking ships and commandeering its goods but isn't that what happened in Boston?

Is that the American way the right wants to promote?

Didn't we just have eight years of that? It has been only a hundred days and they are already screaming change! Personally, I won't be happy until it is the fat cats out on the street, hat in hand saying, "Change?"

And the working class walking by saying, "Mission accomplished."

********************

(^ thank you chris chandler. and just for that: tHERE!

(^ pennies are dollars 0.01=1.00

2009-05-08T10:44:00.000-07:00

Not Possible IRL: Chortle, chuckle, grin and guffaw - Smile, you are NOT on Candid Camera, you are in SL + Your homework assignment

2009-05-08T10:41:00.000-07:00

Not Possible IRL: Chortle, chuckle, grin and guffaw - Smile, you are NOT on Candid Camera, you are in SL + Your homework assignment

(^ 2mypASTerr1Xnay

2009-03-04T10:45:00.000-08:00

(^ just a test
vlog

exileguy: 'What We Eat' by audiolaw

2009-02-20T12:09:00.000-08:00

exileguy: 'What We Eat' by audiolaw

(^ listen up. get down.

2009-02-06T18:14:00.000-08:00

http://dublit.com/stories/mini-cast-4-22-08
clic this none of us are free

(^ nano dreadlocks to grow on

2009-02-03T17:42:00.000-08:00

(^ USe yOUR eWEs! on a genetic level!

exileguy: celebrate

2009-01-30T10:51:00.000-08:00

exileguy: celebrate

(^ frozen water towers of babble on

2009-01-30T10:10:00.000-08:00

who is bored?

(^ then listen up.

(^ I do sometimes while experimenting with alternate ways
of communing with others.

(^thanks exileguy.

exileguy: It's the end of the world as we know it....submedia tv

2009-01-22T12:28:00.000-08:00

exileguy: It's the end of the world as we know it....submedia tv

(^ because it's Thursday

2009-01-22T10:55:00.000-08:00

I JUST tweeked the Uplandos linka bit. fixed the context of zappa lawyers being morons. these all feed off each other.

(^ plus, i was glad to finally get this to show new machinamists how easy they got it:

(^ oh yeah! i was going to find a rain splashing shot: uno momentos...

Stanley and the Dinosaurs' I Wonder Whyis great but I need go dig up an actual shot with rain in it..

John Mathews seems to have opened up the full monty !

(^ watch stanley in its entirety sometime. it's actually pretty brilliant.

ALSO:from past thursdays:

(^ it seems Mr.B will slowly be allowing added content to
Uplandos including anyone's input.

(^ kNOW: why would I note that way over here?

(^..i love Thursdays.
(^ enough. catch you later

"PHIL": Monkeys at Typewriters

2009-01-15T09:59:00.000-08:00

"PHIL": Monkeys at Typewriters

(^ more on Mr.B's bALLrOOM

2009-01-14T11:04:00.000-08:00

secret lab settings sessions

(^ will be more coming through UPLANDOS soon., thanks in part to

Jim Woodring PUTTING IT ALL TOGETHER

(^ yet another potential worker for Mr.B..

2008-12-29T16:14:00.000-08:00

(^ just got a beautifulness box from this animator as well.

Radiohead - "Everything in its Right Place" Unofficial Music Video from Mike LeTendre on Vimeo.

(^ what I like most is his ability to learn pretty darn quicklike.

(^ who knows. maybe he'll end up reverse engineering some stripped down to storyboard level content, during the next year, unless his guitars become too in demand for him to stop making them.

(^interesting sidenote: trapt creator may mix in.

2008-12-28T13:55:00.000-08:00

(^ hmmn. decided maybe emmyme's test gif fits here pretty go0Dd:

thebloodyhatchet sent USe a message on YouTube:
bh> Collaborate with Mr. Bickford?
You recently posed the question on one of my videos. My answer of course is that it would be an honor! If I can ever be of any assistance at all, please let me know!

If you haven't seen it yet, here's a link to my portfolio site: www.mileskalbach.com
Please send my best to Mr. Bickford! I hope to hear from you soon!
(^ so yes he did.
(^ perhaps you can too.

(^ trance scribnotes from '1994 jinnspeak^)

2008-12-22T00:26:00.000-08:00

(^ ok. this here's a test of a text dump from long long ago.
(^ put out here mostly to study and reality check on things I said while living on a nebraskan farm after running away from L.A=
=========don't bother reading this post.===============
(^ this relates to communication systems in general and music theory:
(^ prosody:
(^ the way different people and cultures recognize and develop attachments
(^ to different responses to outside input.

transl8,please?!

(^as of 2/08/97: I am starting to go over this agaIN..
much of this was transcribed from a cassette tape labeled
" Diggedy Jinn Talks "((side a))
or "Jiggedy Dinn Spokered" ((side b))
(^I'll refer to these as "DJt" or "DJs"
both were recorded in Dec of 1994.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
wed. 8:10.
ok, finers.
use and/or give this bitmap to anyone who wants to hurt their eyes.
(it tiles VERY well on desktops).
this image was originally created
as an illustration for the below poem...

(yes... know..

I am aware that it doesn't translate to ascii very well,

but what can eWe do?)

SOE.
vVVvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvVVv
NOW's the time: vVV
the time' (S)now.

(: form simplification /symbolization
of and for (t)old truths:)
.to make a piece with the passed - tense add age.

SNOW:
that "hissss" you hear and see
is the screech of
over organization.
all combining awe combine:
the knowing of no gaps.
white noise: (once called static)
is never still.
" noise " does not exist in stasis:
" white " is alive with color:
whitenoise's sight/sound is
so v a s t ;
so loud;
so hued;
ingesting so
much so f a s t
can so choke.

So few can take it in all at once.
SOme can't intake it
once at all!
it takes your breadth:
and yet it has all/no width;

There is just too much

w H I T e
.............N o I S e.................

\\\\\\\\\\\\\\\\\\\\\\//////////////////////
..Ayend,.. (^ DJt.. near end.. then flipped to DJs ^)

"DIGGIDDY JINN TALKS into SPEAKS"

(mumbling.....) all: right?

I am a juggler
NOT a justice woman .

What I mean by this
is that,
or the other thing.

I balance three thinGks
@ once,
knot 2.

My balance
has
a
s e e / s a w
effective affectation.

Whenever I am "truly" balanced,
My hands (and thAughts)
are consistantly, constantly moving.

In the midst of weighing issues,
I sometimes find myself
having to choose whether
to ju(d)ggle or (K)no(W).

It's been said,
(well, not recently, but in my past)

"Hey, he's pretty good at balancing ...
Let HIM figure it! "
....and then I'm given things to hold on to.

................so?

I start juggling.

Then the ranting occurs.

"no, no, NO ! Don't TOSS those!
'Just figure out how much they wwEIGHhh !! "

...................well, that's not how I balance.............

you (k)NO(w),
if asked, "Oh, my! What time is it ?"
I tend to reply,
"It's time to EAT ! 'tis time to SLEEP ! Be MARRIED! "
I wont say,
"It's six thirty point forty five seconds and counting..."

knowing that I juggle thoughts
puts me in an awkward position
when in the company of small minds.

I have to keep putting down the clubs and balls;

ewe know,
juggling in a small space is hazardous to those around USE.
ewe've gotta give me some roaminig room..
or yah might get hurt..
...so...
I pack up my ballbearings
and go homespun...
Away.
Out.

I'm not always in a position where juggler' s stances are appreciated.

However..
When I'm in the company of those whose minds' dance,
my moves get watched.....
out of necessity .

(k)NOW...
Just because I put my balls away
doesn't mean that I know how to measure in or with scales.
I don't ! ....or at least .... I refuse to remember how...

This is where people get confused with and by me.
they say ,
"HEY ! Measuring by the scales does NOT
'seem to be beyond your aBILities!"
and I reply,
"no, it's a different format than my abilities allow...
'when I start thinking in that way it hampers my ability..
to juggle..."
.......does this make any sense?
to you?
......it would if your mind was dancing..:>)

DELINIER NOTES on LINE STASIS

to think linearly:
to think in terms of balance meaning stasis
instead of balance meaning movement
hinders my ability to juggle in the future.
I therefore may seem irate when I hear people saying
"HEY ! stop!.slow down! Let ME show you what I mean."
....what they are trying to show me?
how to balance like everyone else does.
With two feet firmly planted on the floor.
If I do that consistantly,
I will forget how to balance on one toe.
So, please don't be offended
when I tend to be a little beligerant in saying
"No, that's ok ...You can stand that way,
but my standing on two feet would be
....quite....
odd...."

CORPSE STREAM NOTE: Jig's trade secret

The stance of the jiggity jinn's is always odd.
if moving on one, three, five, etc..
you can access the jinn. as long as things are not even .

As soon as everything is in balance: (2,4,6,8,10 ),
he won't show up.
The Jinn's soul reason for becoming is to balance every thing out.
Therfore, as long as you're in the even land, he has no existant purpose.
.he's the odd man out, you see... ok ?
Jigg's that final vote to bring things "now we're even, steven"
and after that, he'll leave you clueless.

================================================================
CORPSE STREAM NOTE: ((^DJs" ^))Jig's grade secretary:

pulp section.. (see *.. pulp1.txt + ? )

NURSERY RYTHMS.

nursery: a place where baby animals, humans, or plants are cared for.

so...

.. going to nursery school does not secondarily mean you are a child,
it could be you are taking classes in order to care for the young
......possibly..? ...good.
so.
In this game, "nursery school" is something that adults must go to
in order to be allowed to raise anything.
..Why?
Because adults tend to forget how to care for their young,
There, their young take care of them!
and yet, they have no idea .It never would occur to them .
Adults forget to tend that much...

BananaJump from Jan Tappé on Vimeo.

****************wednesday 8:40p(nope)
((^reworking awl this data.. 2day=1/19/97.. and it's 12 high nooners. ^))

Handset and Graphall are into the paper pulp...
((^they are pulp fiction writers....^))

I've got most of the beginning documented in script form; already typed.
see the "pulp1.txt" under file "e:>thinks/tales/1pulp/pulp1.txt "

The nursery is where the children are taking the seeds of the trees
that their parents are ripping down to create trails through this forest,
looking for the gingerbread home in which they actually live in.

The adults can't remember where they live.
They think they live to work.
They should be working to breed....
Looking for thier past... in the future, is what the parents are doing.

They're looking for how to give children what parents never got to have.
Trying to pass down dreams to their kids
dreams of missed opportunities
from the adults' own childhood past.

Adults don't realize
that the children they have,
have different dreams than they.

Not all children want to go to college to become doctors or lawyers
like their parents wanted to and weren't able to succeed at.

Yuppyism is a dead language. It's a bad art now.

You dont want to move TO America when you live IN America.
You can't want to escape FROM "the bad life" while you're IN "the good life".

...does that make since ?

Adults are trying to escape FROM the BETTER life TO the BEST life.
The problem is..
The best life is the life you are IN.
And..
You can altar your suroundings, but you can't change them.
However,
You can change your view.
..so.
The nursery is
where children and small plants and animals hangout.
The nursery school is
where parenting is taught.
..because..:>)
in this game,
the nursery happens to be where one of the jinns hangs out.
in this nursery, the nursery rymes are most important.
Jig looks like a small child
but he's actually manipulating the children
into not hurting each other.
and teaching how to make things grow..

*****************************************************************
((^ " DJt "..back to begin of first side)=================================

working stiff.....
well good moUrning

today is the 22nd of december 1994
and brian is riding across the country in a car.
and I was just trying to search
through a double bummer bongwater tape
for a particular song and have given up.

but while doing so I came across a line ..
and that line is....

"ToMORrow I'll find it ! " the trumpeter screams;
then remembers he's hungry ...
then drowns in his dreams' ...

Well, I've been soaking up the rays of "wake up sleeping" ((^another cassette^))
while driving across the country
and trying to remember a dream
that doesn't quite come easily..uh

so in the meantime let me describe
Jiggiddy Jinn which is a ....

no I think I'd rather do Repunzle Club Foot
since I just saw a good image for it.....
but I feel like I've lost it.....I..I'm not there yet.

what shall we talk about..what should we talk about.

womban: < what shall we talk about
bRYEn: >(^ ya.
womban: < when you **jumped on you said
you were dreaming
and the guys you talked to yesterday or the day before
talked the last few hours.... we had to run in and get coffee
bRYEn: >(^ arrr.arr.arr aright..
womban: < no it sounds interesting I can wait or something

bRYE: >(^ ya,poor baby....alright let me see something here.
one way of accessing the jiggiddy jinn story
or the story of the fire effritti trap..
the fire-effritti pig tapped in his own .
on the inside of an oil lamp.

there is a straw house.
this oil lamp is in the treasure trove room of the **mcClurbin dragon .
how do you get into the oil lamp to blow out the candle
that this pig sitting in swammy clothes si sitting in front of.
with his eyes saucer like, huge big round, like
...have your ever seen white labradory.. lab pig.. I mean not pig ..
a mouse a white albino mouse with red eyes.
this is what you see except

it's a pig wearing a turban
sitting in front of this very large candle
that looks more like a roman candle
like a firework ..sitting in front of him...
he's sitting cross-legged
holding the outer edges of this roman candle
with his feet...
he's got his hands behind him and he's sort of in this 'Lotus" yoga position.
and he's got.what is it called...
the bottom of the arch of his feet holding this roman candle.

The roman candle is about 4 1/2 or 5 inches in diameter .
it's supposed to sky rocket into outer space,right. ?
and then blow up. it's a sort of firework.
at least that's what I've got in my head
even if "roman candle" isnt what I'm looking for.

it sounds right..and even if it isnt, well.

So ...
what I'm thinking of is the candle
to describe this candle that he's holding onto
is about 4 1/2 or 5 in.,in diameter.
basketball diameter is too wide
baseball is too small.
it's about the thickness of a normal football,
just a little too large to put your hand around
you know it'd take two hands to put it around
they'd almost touch but not quite.

(mummbling from others in the car)

ummmm volley ball is too big
soccerball is too big.
but it's the diameter fo a football
where you're about two inches from putting your hand all the way around it.
it is about 4 foot tall, maybe only three foot.
(depending on how much game you've played)
but above this yard of a candle made of wax,
spiraled psychodelic colored wax,
it looks like it's been dipped in opal.
it has an oil slick color
or
the color of a soap bubble candle.

A soap bubble candle,

that's what we're looking at,
yes sirry bob.

the whole candle.
oh my,
oh thankyou.
good moUrning
you guys are here now.
yea you guys woke up at that one.

the fire effritti pig lives in an oil lamp
very much like your typical alladin shape,
however
it's clear and crystal glass like sleeping beauty's slipper
--whoops! sleeping beauty's slipper?
well yes.-- huh

sleeping beauty's casket and also cinderella's slipper. yes.

and what you see when you come in
when you see this lying on the ground
is this illuminated flashlight or something off in the corner
that's sort of grayish,
if you pick up this sort of
glass slipper of an oil lamp
you will see smoke and fire
and it's shimmering the colors ..
it's a prism..---
this oil lamp is designed as a prism...

I'm getting thrown off because talking to the machine
while my mother sits and nods yea I got it go on
it's very funny I'm yea yea you got it alright

so there's this prism like smoke filled oil lamp
the way you enter it is
that you have to pick up the magic beans
that are sitting close to the lamp
that's sitting next to an expresso machine.
in this treasure trove.

because you have to get really small to climb in there

or you can just take the lamp with you.

but the way that you..
once you know how to get to
if you end up with him as this tool
if you end up carrying around this lamp with this fire effritti in it

you dont if you rub the lamp
you'll just make it really nice and shiny
what you have to do is
eat chocolate covered coffee beans
to get into you have to do some sort of hallucnigen,
in essence,
you have to eat something
you have partake of something
you have drink,
be,
thinGk,
you have to go over to alice in wonderlands little thing
and find all those nice little cookies that say eat me.
you have to do something that
allows you to shrink to the point where you get in.
you have to do something that seems almost suicidal in nature.
um definately not protective.
sometimes if you make the kind of moves that
put yourself in a sacrificing position in life
or in this game.
you will find if you have that thing with you,
eWE'll will find it's like your let one last request
it's like your last rights
but
you because you were a good boy,
your a bad survivor.

(muskrats...)

write right rite

muskrats?!(^ yes.knOWE:

what do they have to do with good providers or bad boys...
those are beaver huts I presume.. muskrat huts
what are muskrats, small beavers?
no
they're a different specious

yea.
most of the time, blah balahlksahdnaweg

no, the deal with soap bubble:
this one last wish.
your last rights.

the ashes to ashes dust to dust senario...

is that if you are caught between a rock and a hard place
and you decide to lie down on the hard place
and put the rock on your stomach.
and take both,
dont settle for half,

take both you will find yourself with jiggiddy jinn.

if you find yourself between two people who are fighting
and they're screaming "take a side!!"....DON'T.
and you also refuse, more importantly.. to walk away.

if you take a side you are a butcher,
if you walk away you are a baker and your just going to hang out
until everybody's finished with the fray,/foray..

-but -
if you stay between the two and say
"in either case I'm going to die because I wont move"
much like ghandi with his
"I would rather starve to death in a world of war
' than I would live with my friends killing each other."

if you find yourself doing such a thing
you will again access jiggity jinn.

The fire-effritti's purpose in life
is to try desperately to make a better world
or die in the attempt to do so.

and he's not satisfied with a win lose situation.
it is always either a win-win or a lose-lose.

he doesn't like lose -loses.
what he tends to do is say
"it is either a win-win situation ,
or I will **aquies,
and help you win by my dying. ..
and sacrifice my life for the betterment of man,
human,toad,and grass kind..."

he'd most likly say it almost like that.
very non-sensical man.
he makes short little silly statements like

"in a kill or be killed world, give me plan B'

and he'll hold up his thumb, instead of you know ,
he may count with his fingers...
kill(1) or be killed(2) world and he holds up a peace sign.
then he says give me plan B and holds up a thumb
and looking into the camera he'll like he's pushing the big red button
so he'll swing his finger up ..

"In a
kill.(1)(^gun kapow mime)
or be killed (2,)(^ peace) world, give me plan
( then he swings his down his thumb to press the button) B'

" there's no reason to survive and have the comic death of blood on your hands.
he refuses to play pilot.
" this aint no pilot thang." he says
"hey that lokies like a really cool thing. jesus!
I'm going to give you this wreath we're going to plan the play prince/pauper.

if history were being replayed with the jinn as pilot (paunchous lil' bugger)

jinn would of switched places with jesus and said ..

pawncheese PILOT: > "ok now ...what would you do in this situation, jesus?
you are now pilot, I'm you.
that has become my position.
I dont see any difference between me and you
except I'm in the place of power
so ....
I relinquish my power to you.
here's my robe,
here's my little oil/lawrally wreath
and now you get to decide wether or not to crucify me.
or to set me free or what. ..EHver!...."

and he would have done it, too.

you know,
that's the kind of bizarre motions this guy will do.
he wont make sence to anyone.
he shouldn't make sence to most people because he's,....he's.. (^sigh)

he's actually telling you how to win.

fire-effrit is in essence god incarnate
but he's a very disgruntled god incarnate.

he's a very wise old sage that refuses to make much sense anymore.
and he also refuses to be human.
he refuses to be what he knows so well how to do.

so
you know it now....
and you say ....'how do you live ?'
'I dont know'
or you come up..

and ask "HOW do eWe live?"
he says 'by dying'

if you asked him 'WHY do u live?'
he says "to help you to figure out how'"

so when talking with this creature that lives inside this bubble of a lantern
who's holding in his feet a four foot long by 4.5 inch diameter roman candle,
I know what it is..
it's one of those mailing tubes with six inches sparking arching.
what it is is he's got a roman candle turned backwards
it's like a rocket
that instead of flying up into outer space
and going off and lighting up the sky
he's got it pointed it directly at the earth
and he's lit the thing.

it's like...
he's holding up this bomb in front of his face,
watching the fuse spark.
and he's very amazed ,
he's waiting for what will happen next.
at first I thought he was sitting in a straw house
lighting candles and watching the house burn down around him

but I like the idea that instead//
it's this very large fire rocket but he has it backwards,
he's got it pointed at the ground
you light the thing and it just a try to push the earth out of it's way
so that it can fly into the sky
so that it can explode.

in some ways
I imagine a small child trying to push by the adult
and the adult had the palm of his hand on the forehead of the child
and he's holding the kid at bay
and the child is trying to push
and swinging wildly with his arms
trying to get past this large man in his way.

have you ever seen this phnomenon where you got ..

in essence that's what this man is doing.
this fire-effritti pig
and what you gotta do is
figure out how to put out the candle.
before he'll even bother talking to you
because
if you try to put out the candle
you're taking a chance on blowing up yourself
in order to save some strange pig that you dont have any idea about

but he's ...

.it's like juggling with knives and torches and somebody would come along and say

" look out ! you're gonna hurt yourself! "
and push him out of the way
and get stabbed to death by all of the juggling knives coming down.

and jinn'd think:.. " hey that's a pretty good trip! ,
thanks for your concern.
if people showed more concern like that
there'd be a lot less of the bloody mess than there is tHere."
.
*********************thurs 7:23pm

********************friday 5:29pm
and then you would find yourself fine and dandy
and then you would just look around and find out
all these daggers that you thought you had jumped into the middle of
were actually sword fish
so you smell funny
but it was just an illusion.

every thing about this man is an illusion.

nothing is real
but he always looks... like-
-he's like a circus geek who's putting nails to his feet
or doing a lot of grotesque, horific comedy-

he's making fun of how frightened people are of death.
when it's such an easy thing to get over..

it's funny,
it doesn't last that long
you find yourself here again all the time .
it's not like we can stop it.
the point being
if you sacrifice yourself ,
you die
you reincarnate
as an other character

****************fri 5:39pm

**************sun 2:55am
and there is a file called "father time grown old."((^*.ftgm)

grandfather time grown old.
in which there is a beacon.
most likely very much like the oil lamp,
same color of saturation,
which is lots of slear a little bit of white,
opal colored or oil slick,
or soap bubble.

you know each of those images,

try to super-impose those all into one object.
greasy, beautiful, yet toxic.
or
a fragile soap that could clense you
if there were more of it but there isnt .

it's just one bubble worth.

a bubble bobble , that is on the point of turning black and white,
breaking into little square patterns,
and bursting.
watch a soap bubble someday,
you'll see that's exactly what it does-

starts off with oil slick color
falls into a gray light pattern,
then explodes.

this oil lamp is one of the tools
that is a mixture of
the sands of time of father time
and the illuminating lantern fo the good sheppard
bringing his flock home at the end of the day.

when father time grows old
and becomes doctor death
] this rainbow colored figure-eight **luminsate shape of a lantern
becomes...
the top end becomes dust.
(I'm trying to think what color dust would be the best)
like soot but it's not soot. ok you have brown sand that
( I'm trying to think of the right color to explain)
human skin dust. it's this off sandy-gray brown but it has....(
that's it I've got it, I've definately got it now.)

you play the game.
depending on wether you take constuctive or destructive actions.
the color the sands of your life shall be saturated..
-color saturated a little different.

ashes to ashes, dust to dust is a statement that is not said
but is implied by the colors of this limnisat when you die
and then are reborn into this nest of next character(s).

you get to see this lantern
that's been turned on it's side
like a lunch box
and on the left side are ashes
and on the right side is dust.
and the color of the dust will kind of give you a clue
of wether your going to get to play
the bad guy,
the good guy,
or the indifferent guy,
with the next game your about to play.

and what moves you make in the next game
will alter whether you are
a butcher,
a baker ,
or a candlestick maker.

you can play the same games over and over again
but you have to know how to do it.
otherwise it's a random pattern.
if you figure out..
(oh,put it this way)

if you know how to move around in a house and somebody says
" go to the bedroom." most of the time,
(unless you're in a very small house),
you turn to them and say "which one!?'

but if you've never been in the house and somebody says
" go to the bedroom.!"

you say ok,cool and you run around rampantly
until you find a room that happens to have a bed in it
and say 'ok I'm there now'.

you understand?

so, there are ways to finding your way
thru the worlds of Lillith dread Hennah,
Lilly Red riding herd, Bo Peeper's lost,
and jiggiddy jinn, and The McClurbin dragon,
and the handset and graffits.

there are ways to get into each of their houses,
but to know how,
you have to either have experienced them
or you you have to have a cheat book.

jiggiddy jinn ids the cheat book.

he is the one that actually has all the answers of the game.
he's not going to play the game.
it's much like asking God,
how does a man live.
god can tell you
and you say
well why aren't you doing it?
and he'd say
'been there done that'
or
'why should I ?, I'm god! '.
(just because I may know how
to be a first grader
doesn't mean I want
to have to do it again.)

or somebody who's lived thru a holocaust
may know how to live in a bomb shelter,
that doesn't necessarily mean they want the next button pressed.

just because you have skills does not condem you to use them.

how's that for ya. ?!

so...
even though I've eaten meat,
even though I know how to strip a goose,
even though I know how to flock some sheep,
doesn't mean I must,
it merely means I have.

and maybe that's part of the game
of why that god can forgive
or whatever.

it's saying that
the real trial is not to avoid evil at all costs.
it's to have lived thru evil and then choose not to.

those are the ones that have redeeming qualities.
those are the people that can enter the kingdom of heaven.

otherwise you have to wait until you screw up at least once.

because if somebody is rich then they can be very charitable,
it doesn't take much. it's no skin off their nose, or their back.
the challange is to be charitable when to do so would do you harm.

you have to make sacrifices,
this is not the same as being charitable
when the charity causes you no damage.

so it's finding situations that inable you to help out
no matter what's going on.
but the wild card is to help out when it will cause you to die
and still you help out..
this will give you extra time and access to extra levels of the game.

this is confusing....
because my mom is sitting here
nodding that she understands..(hheee hee) so ..

womban: < I thought I was supposed to listen.
bRYE: >(^ well of course your supposed to listen,
but I need to get others peoples input.
I was laughing because I wasnt sure....
I'm making a lot of facial ticks and movements
I'm using my hands a lot while I describe things.
I will not have those available to me when I listen to this cassette later.
I'm trying to describe things in a formatte that without hand jestures
one will still get the essence or feeling across.

of this candle.
I almost want to make people put in dots.
dot dot dot for every second that goes by with a pause
.....
like that's five dots
...
and that's three.
and between.and then writing with force.
large words,
small words
crecendo words
which would be in small font
very smmmalllll at the beginning
and then it gets larrrgggger at the end of the word

. writing *phoenetically,
((^Finnigan's wakelike^))
saying phoenetically speaking.
.... dramatically speaking,...of course.
I like that line better.

so you'd have this chartacter of the fire-effrit
shows up all over the game in different guises,
what normally will give away that it's likely to be the little clue monster
is something subtle,
like he's got some rainbow-colored aspect about him
. or he's got a plus-minus on his belt.
or he's ..standing in a puddle of oil slick.
they'll always be some sort of minor clue....
or it might be the person who's committed suicide in the corner
...laughing while he does so.
if you've ever seen Harold and Maude,
harold was doing the same thing.
he was coping with the exsistance of living in a strange world
by constantly pretending to commit suicide...drove his mother crazy.
..
(k)NOW.. if you talk to this crazy person,

the juggler, the jester, the harliquinn romance novelist in the corner...
or maybe it's the harliquinn romance nobel prize winner in the corner..
.that'd be a little closer. ......
will show up when you find yourself stuck in the game,
like if you've been playing the same senario for too long,
you've walked around .......
you're supposed to walk around the building three times and then enter...
well you've walked around 85 times,
ok you're stuck,.......
well at some point during you're stuck...
the fire-effritti will come along in one guise or another
...he may even be the scarecrow hung up on a pole on the edge of the forest
**Ovall where there's a branch......
and you keep walking to the left or to the right.
and then you come across the same fork in the road
but there's now a scarecrow there
and ..if you dont get the clue there.,.........
the point is you have to turn around.
the only way you get anywhere in the forrest Ovall
is to walk around randomly and then retrace your steps.
if you never retrace your steps
you never get anywhere.

because ..
home is where the heart is
and this game is set up as a globe.
..it;'s an in-out not forward-backward motion...

so what you do is you leave home
and when you come back, time has passed,
so now you're in a different home....
ok you're not moving to home1
to home2
you're moving to home1 to home again.
and so home 1,2,3,4,10,86,24,...
are merely differences in time.
and things change constantly right behind your back
and all you have to do is turn around..

most people move forward without ever taking a few steps back
like a bunny hop.
have you ever done that ?
..the bunny hop?...(singing..da de da dadunna...da de da dedunna..)
...one step back , two steps back, three steps forward.. .
well if you're playing this game with someone else who's not playing it...
you try to go backwards, backwards,
and you find yourself 1 1/2 steps back bumping
into something.that wasn't there a second ago.
cause their moving forward and you moved back and
oooooh! contact, ta da!.
.good morning, who are you....?

oh I'm the guy who's fallowing you!

huh, well you want to go in front of me,
cause I like backing up now and then..

well I'm ploding along forward
and I think going backward is kinda ridiculous
and it's counter-productive.

well all right then, you just go ahead of me... here.
and I'll just(singing) kicking to the left, kicking to the right ,
back up back up, forward, forward, forward....

you gotta play the game that way.
it's just the way it is.

why?
because..
you're reaching to the left,
you're reaching to the right
and you find yourself
hugging the people to either side of you...
then you're backing up
into whatever cute cuddly large breasted women is back there, also...
and THEN you're moving forward..
and now you have three friends with you!!

**********sun 4:29am

**********sun 5:55am
but if you plod along forward ..

just plod and over and over
just plod and plod.
gotta move into the future.
gotta keep going....
you never take the time
to slow down and
hug your kids.

you never take the time to slow down and
notice the family.
there's nothing familar about the future
only about the past and the present...
so...
you have to look to your left,
look to your right ,
back up a touch,
then move forward...
gather your interests to you and then go

...dont just run hells bells through the forest.
what are you nuts?!
whats going to happen when you trip over that log.?
....when (yes, I see the.the..)

here's a good example:

when traveling down hill ..
on skis,
one must not go forever forward.
..one must hedge back and forth.
.left,right,left,right..dont try to go down..
you're going to go down wether you like it or not..

so
if you dont want to break your neck,
dont go rushing pell mell forward,
go to the left
go to the right,
the forward will take care of itself.

snow plowing breaks your knee caps!

you cant slow down forward.
go to the left, go to the right, go to the left, go to the right
ta da di da ... (ballet song)
and you just keep going forward.
with or without your permission, forward
(um, there's a line by Laurie Anderson...
the future..you are forever falling forward..
.you, um, timelines forever pulling you forward into the future.
there's a line by Patti Smith
'the present, it's just moving too fast' oops! it's gone.,it's gone.)

......so
sometimes to bides one time is the best way to move forward.
you cant become a corproate mogol with three weeks of college.
you gonna have to sit still for a couple of years
to become a teacher...
...you gotta sleep so much,
ya know,
the quicker,faster you move;
the more you spin your wheels.....
slow down to speed up...

.these are some of the kinds of things the jiggiddy jinn would say
to someone who's running hell mell thru the forest
and doing nothing
but finding themselves doing nothing
but making more and more trails and never getting anywhere.......(break)

womban:(mumbling) < hopefully in some small way
making other people happy...
though I know I could never do a perfect job of it.
If I happen to have a few happy times along the way...
that's nice..........

((^.........ah. the idea of putting up big walls and sitting back
in the corner for fear of....

bRYEr >(^ the infringing?
womban: < infringing..... or getting hurt ...

bRYEr: >(^ it's not necessarily about getting hurt, janet,
it's about keeping from harming other people..
it's keeping harm out of their way...

janet: < I was permitted to share some thoughts..and now I dont understand

bRYEr Patch: >(^ I'm trying to clarify my motives

janet: you cut me off when I was just getting ready to say that---

:).............fearing,fearing , you know trying to be sensitive
or trying not to overwhelm other people.
infringe on or ....
push for more than they're ready for at the moment
doesn't necessarily mean ,
you know,
putting up big walls
cause well
that seems kind of harsh.
I guess what I'm striving for is
to be ready and open and available.
but also trying to be sensitive to
what other people are in the mood for

or are ready for,
or have time for,
or whatever.
this
instrument.....

bri: alright, I am a juggler (etc. return to begin.)
*************sun 6:29 am

total time: 5 hours 17 minutes
d I'll just(singing) kicking to the left, kicking to the right ,
back up back up.....

buh dum pum pumb!

dan bern drifts thru. his comment on un café love by mark lagana

2008-12-20T01:52:00.000-08:00

(^ well! got to show thas guy this piece from a talented Aussie:

un café love
by mark lagana

un café love from mark lagana on Vimeo.

========(^ i sent him a link: got this back:========


bernstein 
to windupwinded@gmail.com
date Thu, Dec 18, 2008 at 11:52 AM
subject RE: (^ deadpan stop motion . 
(^I been talkin to this guy:
 
 details from Dec 18 
 
Reply: > really good.  loved it.  thanks for showing.
>---db

> Date: Wed, 17 Dec 2008 11:25:05 -0800
> From: windupwinded@gmail.com
> alsoTo: someone@bolexbrothers.co.uk
> Subject: (^ deadpan stop motion . 
> (^I been talkin to this guy:
>
> http://www.vimeo.com/1401906

(^ so who knows. 
(^ maybe adhoc muddrift isn't dead yet.

(^ the tree room I helped design

2008-10-29T18:00:00.000-07:00

(^ just got off the phone with the man that lives up in ere.

(^ with greatful permission of the author(s):

2008-10-28T13:06:00.001-07:00

idothing wrote:

...(^ eWE dote on hinges.
(^ HA! he up and seperated it out for me! the gag was this: we never spoke. i called and left a random chunk of noise to a non asked question. and he slapped his end on afterwords. even the front end was faked:
Flavourite chunk of my voice
(^ ok REALLY dung 4 2nite
...
(^ Favored rites: splecking ' seperated ' =

separated exasperated temperated recuperated cooperated

(^ Hello inout tHere/hEARted\hEAR...

> First: I have to apologize
(^ 4wh@?
> for not replying after my first attempt of de-lurking,

(^ knOWe: eWE've made up for it by far.
(^ the chunk of storytelling was wonderous.

> the real de-lurking happened here: - Confessions of an Ex-Lurker.

I read the board - especially the Newbie-Corner for months.
And I've learned.
And your postings were all the time
- how should I say - different.

For a long time I had troubles to get the informations you gave.
But I bookmarked many of them. ToFor re-reading another time.

It was sometimes very hard to understand
and many times I haven't had the nerve
or the time
to sit down and figure out, what you tried to say.

First I said - and pleas don't take this as offensive -
"oh no, another arty-farty guy
who hides something in his blabbering
that might be interesting.

Might be".

Me stupid stupid rat-creature.

Then I found the way to see it as kind of modern art -

take your time and it will show it's story.

Cubism isn't just about abstracting things so much
that they mean something new,
it's abstracting thINKgs to a special point,
where something new (r)evolves,
\/ born out of something
that was there all the time
and shows its face in a new way.

Something like that.

And yes: I felt very honoured to get my very first reply by you ! And now being added at youtube. Okay, this might mean nothing in the internet aera, having "friends" on myspace.com and all that stuff. Nothing can ever compensate a good talking with looking in each others eyes and looking out for the truth between the lines of the other ones words, by listening to how he talks and how his voice sounds, and how he moves his hands, and all that.

This was the reason why I just contributed just a few postings for a blog a few years ago and never read any forums. I didn't believe, that this all can work out, and still I belive (or hope), that nothing ever might be able to compensate a good talk on the veranda in the middle of the desert or with an old friend, accompained by a beer too much... Stuff like that. But yes, the stopmotionanimation bord opend another window.

So what is it what I would like to say ?! Thank you for sharing so much of what you've learned about stop-motion and life. Thanks for helping us newbies. And my admiration for your work. Unique style is something that dies out in our days (hey, I'm 32 already, I am allowed to talk about days gone by long time ago already !).

Here is something that might interest you - concerning uniqueness (not that I have anything to tell you about that...): You might not be a fan of his music, but he absolutely has got something to say - http://www.vai.com/LittleBlackDots/MLS_index.html
Steve Vai giving lectures about uniqueness as a musician, developing your "own sound", and your "own voice"... Quite interesting thougts...

So all the best and thanks a lot for everything. Michael. With deep gratitude.

(^ a mresponse to eye dot things. uncut.

2008-10-25T23:53:00.000-07:00

(^ may I quote this?

(^ I am aware how difficult my writings are to translate from english into other languages.
(^ I want others to see what you wrote. would you mind?
(^ you can reach me at windupwinded@gmail.com or woundupwounded@gmail.com to respond.

(^ please try to understand:

(^ my main focus is on helping those with autism spectrum disorders
(^ head traumas and other neurological dysfunctions.

(^ I FEIGN these elements myself, but am a very good actor. you follow? :smirks:
(^ if you were to watch my vlog on youtube: you would see how I NORMALLY speak.

(^ in tangents. a free flowing thought pattern of choises made in time by me connecting the videos into a personal footnote.

(^ I am not a cubist 9perse) nor a surealist:

(^ I am an etherist.

(^ one who speaks with no body of work:
(^ only emotional content that HINTS at things that matter to me.

(^ and you just made my list.

(^ if you were to want to find my writings and ask what the heck some of it ment, personally email me and I'll try to unravel some of it into straight speak ok?

(^ the video I'm about to link you to is painful but has had a profound effect on me for i have a nephew who is very much a teenaged autistic youth who has far more difficulty fiitting in than i do.

(^ and I have watched MANY a stop motion animator 9 many of them people I knew: met: worked under decades ago) lose their minds and or become cancerous from the effects work industry's inability to do certain tasks in a non toxic manner for need of hitting deadlines.

(^ to that end, I decided to prod those who KNOW: into revealing some of the noxious truths.
(^ but at the same time, not wanting to frighten newbes into NOT learning how to animate. just find ways of doing it safely.

I chose to write in a fashion that would cause MOST to ignore my posts.

(^ but trust me: those that know me, and or know what i'm doing,
(^ watch and ponder what i say because I"m NOT trying to become an animator.

(^ just being a story teller.

(^ thank you for trying to understand something designed to belly punch
(^ certain folk into remembering careers are not as important
(^ as those human beings they effect. and change for good and better.

(^ with all that said: hit the little "?/!" button in the upper corner of
http://windupwinded.blogspot.com
(^ and it unlocks too many of my words that are open to the public.

(^ precosIOUs ronandonandon = preconscious randomization

2008-10-25T10:54:00.000-07:00

(^ dyeye mear precosIOUs ronandonandon.:
(^ the reasons festivals won't take works
(^ available via the net
(^ is pretty straight forward.

(^ it's the competion.
(^ tHere. let me unlock this one
(^ spell checkerred line mmmkAkey?

splck ` competion ` =
completion competition competitor competitive compensation
(^ oh wait! too rich:
splck ` mmmkAkey? ` = malarkey? moneymaker? filmmaker? merrymaker?

(^ mmmkAkey! yep. black hat or whiteouted blank check?
(^ there's LESS COST and MORE NOTICE via the net, silly bean.

(^ but " quality over quantitactics "
(^ might relate to my bit on slaving systems burried deep in this podcast.

(^ ..consider it my cookie
(^ to go down with the milkbathed distribution cost:

http://www.mypodcast.com/fsaudio/exileguy_20081024_2208-319294.mp3

Friday, Oct 24, 2008 Un-Timely episode (31 min)
the Radio Free Exile podcast entitled "Un-Timely"

featuring music & spoken word from:

John Staedler - "You already know everything, remember"
Walter Comer - "In America"
Guardagujas - "58 bestias (con Noam Chomsky)"
Calling Brian - "slavedriver"

slavedriver

= slave driver slaved river slaveholder screwdriver slavery

Timothy Scott - "In Love We Trust"
Ry Cooder - "Goodnight Irene"

(^ what the hell this have to do with novice notices?!
(^ everything.
(^ you want a distributor or not?
(^ yiou really think I'm anti cash crop
(^ or you pooling my legheirs?

(^ are you offering to pay em to do it
(^ or are you paying them
(^ to just no'ice you exsubsist in the first/last place?

(^ branch out! http://exileguy.mypodcast.com/index.html

(^ USe yOUR eWEs! http://www.youtube.com/EdwoundWisent

http://www.stopmotionanimation.com/dc/dcboard.php?az=show_topic&forum=15&topic_id=6372&mesg_id=6372&page=&topic_page=16
(^ now to see if it has any effect
(^ goodnite ireene
(^ so yeah.. knOWE I NEED A SMOKE signal
((^ ..and from thereinon I'm still post gusty scatterman..^))

(^ crOPhaveN

2008-10-21T09:22:00.000-07:00

(^ crOPhaveN is/was a place where layering image threads
is where germinated seedlings come from.

(^ a peaCHpit inside a shourgrape :
(^ a conversation I once had via e-dressing,
(^ swapPAGEd with a military student
(^ onBARnacles and sideswipesat worldsEndWARcrafts.
=========oblique spleck readout:===========

` peaCHpit `= peach pit Peachtree peachy peach peacetime
` shourgrape `= grapeshot hourglass shoulder stenographer
` swapPAGEd `= swap Paged swappable swapped swapping swapper
` onBARnacles`= on Barnacles barnacles barnacle Tabernacles tabernacles
` sideswipesat`= sideswipe sat sideswipes at sideswipe sidestepped sidesplitting
` worldsEndWARcrafts. `= Wollstonecraft. handicraftsmen. handicraftsman. woodcrafts.

(^ best Xplane ` crOPhaveN `
= crop Haven macrophage Brookhaven cropland necrophilia

(^ strange are the ways of `spleckerrs `.. .
(^ = splendors woodpeckers splendorous splenetics =^)

(^ try lateral pig stuffers into pEATorPI

2008-10-17T21:57:00.000-07:00

(^ HiThere. HitHere. Hi_tHere. hi2hEAR

cre8err's tAIL

In his other postmod life.

(^This story is being told by a rat:

(^ This particular rodent
is one of the aged rat packers ,
named PeatCH,
(^ who lives down in the bowels
of the tri lateral pig stuffers tale.--
PEATCH:: (sitting inde flute chair)far future....

" I wanted to have mine own....
" That's what EYEmah's playin'...
" Peate or pump's(kin)s bouy/boy..
" a pump kin'sHellouse...."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The scAIRye jack-0H-LandTurn (woe)man.

(^ clipping far aheaders:

(^ meanwhiles...
back in the court Kitchen:
-- R Peye was poetizing
at an open mikednite:
Practice /auditions
for the ball's fiddlers and fifepipes:

Peat R Peye tries to stand up for Ashley by spoken wording the tale,
then concludes with these lines:

" love conquers all thINgKs. "
" Awed things are fair in love. "
"War'em, if they can't give a phuckleburry."

Date: Wed, 17 Jun 1998 02:41:19 -0700

From: see_D_pr0phF1TS

Subject:#p0pC: aka Peat Cured Comp

aka:Peat 0R pEYE chillins

(part 3 of 4)


((or.."what happens when all is TOO well.."..))

They (both rats and children)
become semi tame.


(k) N 0 W . . . . . . . . . . .



unbenounced to everyone..that particular whistle,


the particular sound frequency he plays on his pipes.
Is a very specific higher register that,
the sonic frequency kills the mites
that carry the black plague, the ill ones.
The sound itself, it's kind of like laser surgery.
You know... sonic surgery.

rat packer's creation story

(^ numb brrr 4OUR: the twined twins in repunsew's thunderstruck ivory lighthouse tOWer

2008-10-16T22:13:00.000-07:00

(^ long story in the can(stirs):
(^ while travelogging cross country
I found myself running low on tobacco and began drawing a wish list of things needed for anyone hitch hiking for enlightenment.

(^ partnerships seemed as needed as places to sleep and bed for breakfasts became this tyrade of awareness:

many folk.. fear adventure.
and yet want it imported to them .

(^ nay: they won't leave their own comfort zone, but will take in strays if the tale told is amusing enough to cherish.

(^ this was the beginning of my entrenched sojournal:
most of my pack filled with drawling books and diaries:
some clothing, but mostly 2pairs of shoes: heavy jacket bedroll and ..stuff to savor.

the clothes on my back often were traded out for other ppl's gift as I wandered thropugh and onward in search of those in need of a mirrored image of themselves twisted in farce to wake up to un rut stuckediness.

(^ below was one such tale: caused by this loose footed period of my life:


=====================================
Bo Peepers



A Lost Vegetarian Wolf in sheep's clothing

(hueman version)

This story is about a knight.
Actually he's a Renaissance Festival fighting practice man
who wool gathers.

His wife, (or girlfriend at the time,)
is a clothes decorator and paints clothes
using blood splatter techniques to come up
with interesting and yet very unique designs.

  No piece of hers is exactly the same
because she is just splattering this stuff around.

She is the sheep.
He is the vegetarian wolf.

Bo Peepers is actually Red Riding Hood from another story
of Red, Riding Herd down at the Grand Mass House.

This other woman is another painter of clothes.
She uses an airbrush.  Does a very slick kind of work.

Man runs off with new woman.
Can't remember why exactly.
They have a vixenish, argumentative relationship.
I think she originally came over to ask
for some extra thread or something,
and was very vicious, was very mean
to the guy's little sheep that follows him around.

But he and the airbrush artist hit it off in some strange way.
The new "other woman", (his wife), gets upset
and just walks away.

Since he's left alone, he goes ahead and joins up
with this other person who's a bit of a
corporate-power-crazy-I-will-make-it-in-this-world
kind of person.

The two women only meet for maybe five or ten minutes
and everything rolls around this poor creature
who's not really interested in doing anything
but playing and wool-gathering.


He's not a very bright sort,
   and is just kind of cute,
        not extremely so.
Kind of bright, but not extremely so.

He's one of those moral moronics you sometimes meet in life,
who are just blown through the whorl, by the wind,
into different tracts of fate.

And the web-weavers use him as protection.

Like he is their bodyguard.
He moves from being a quiet sheep
to becoming a wolf in sheep's clothing.
Him being a vegetarian wolf in the first place
meaning he looks like a fighter.
He acts like a fighter and a hunter.
But it's all skill gaining.
He doesn't actually kill anything.
He doesn't actually fight.
It's all these practice bouts with people.
It's all pretend.
Just to show off the ability that he refuses to use.
That's why he's a vegetarian wolf.
In essence,
he shows his teeth, growls a lot,
and the wolf pack all think he's a mighty fine person.

(Wouldn't mind designing him around Brad Banyan.)
This also links with the Knight and Shining Armor
from the McClurbrin Dragon story:
who has a Damsel-in-Distress;

who's Damsel is a seamstress Damsel-in-Distress in this story.
This is an alternative route out of the McClurbrin Dragon
instead of the Damsel-in-Distress running off
with Knight in Shining Armor,the GUY runs off with a witch bitch.
you have the Dragon rejuvenated into a Knight
by a woman in silver stockings.
And she takes him off,
leaving the old woman baking bread.


The Damsel-in-Distress is no longer distressed.
After all, the Dragon's gone.
However, she now has to make it on her own.
She had always used the Dragon's fire and hot wind
to bake with.
Now that he is gone
and now that the oven has gone cold,
she has to learn to cook by herself
with a lot less of the convenience
of having a huge dragon kicked back in the room.



That side of the story goes on somewhere else.

This is the story of the former dragon
turned into Knight in Shining Armor
who's actually the vegetarian wolf
wandering around the countryside
from one festival to another festival
to the next festival with this woman
who uses festivals for corporate greeting/meetings:
trying to look for that next connector,
next connection person.

The one who'll make her even more successful
than the one she's found herself with now.....

From Thu Jun 18 14:22:49 1998
Subject: Bo Peepers Dream Tape, Side 1, Part 02

continuing Bo Peepers Lost vegetarian wolf in sheep's clothing

Now in my dream,
the woman with airbrush was having a hard time
because her work looked like everyone else's.

It was very corporate.
It was very…"there's-your-airbrushed shirt".
The other woman has disappeared completely.
We know nothing of her.

During one of his fighter practices, the man…
(we have to come up with a wolf's name.
Maybe it'll be Wolf Peter instead of Salt Peter
because he actually has very little left at this point.

So let's call him Wolf Peter because he's petering out.

During one of his practice bouts,
some mud gets slung
in through the doorway to the woman's workspace
as she's working on some shirt.

Through all the bumping and jarring .
some of the mud and blood spatters onto the shirt.

Vainnestha(old wife)
had always work into and altered her designs
to take into consideration these spatters.

Shealandress (the airbrusher) learns to do the same...

The spatters end up looking like highlights
amongst the airbrush work.

one rather successful design is a unitard:

dragon scales across one of the
legs of this unitard.. the rest rainbow flowing airbrush work.

A highly paid court jester comes along and sees it.
He says,"Oh, very nice!.I think that will draw a crowd.."

She says, "I did it all myself.  I planned it exactly this way."

The next image is of her selling her wares.
Because of her newer work's  unique design quality,
she is selling at four or five times the rate
as she had been selling her shirts for before.

This is how we see that Vainnestha had originally worked.
She didn't have an airbrush.
She had always designed FROM the splatter
and the mess and the muck of the fighter practices.
She would sop up the blood (or the fake blood )
or she'd  kinda tie-dyed things.

But now we have a woman who has an airbrush
who knows how to make things slick
who now has learned to destroy part of it
and re-invent that section so that it's layered.
It has both tight and loose aspects to her designs.

She now is raking in the money...........
-----------------------------------------------
While they're at a festival, another one,
when she sells this wonderful
unitard to some jester walking through,
another woman rides up on horseback...

BoPeepers ( Shealandress) looks at Wolf Peter.

"Hey, isn't that your ex-lover?
Isn't that the one you were with
that first day that I met you?"

He looks up.
He sees this woman who looks a little on the harried side
and says, "I wonder why she hasn't saddled up to say hello...
She's just riding around on her horse."

He goes and talks to her,
and finds that she has had a horrible life since his leaving.
Hasn't been able to make a farthing.
he asks,
"How have you been?  What's been going on?"
She says, "I haven't made $20.00."
"How much have you made?!"
"I haven't made $20.00 in eight years."

At that line, Wolf Peter is so distressed
that his former love is unable to survive without him,
while he always thought that he was a burden to her
and always caused all of her best drawings and things
to be destroyed by his mayhem and blood-and-guts noise.

He leaves the other woman(Bo Peepers/sheandress).
The other woman is quite upset and angry, but not for long.
She got what she wanted anyway, which was the extra skill.

So, when this gets converted back over to the game,
we may be dealing with a knight-in-shining armor
and Damsels-in-Distress.
One of the Damsels, is
by no means, in distress.
She is a dressmaker
who's looking for corporate
connections and collaborators.

The man gets dragged into her universe for
awhile.  She gets what she wants from him.
Still thinks he has far more to give.

Then he sees his old refugee woman.
He's learned from the other one
about airbrushes.

He goes back to his first woman.

Is that end of story, or is that the beginning of the dragon?
Is the Knight-in-shining armor
becoming the black hole dragon again,
who's now going to sit and fut, fut, fut;
pushing the woman around,
telling her how to make a living
and what to do, when and where to do it?

While she always did have a skill of her own,
now he will have the upper hand of giving...
… adding the air to the earth to make a windstorm.

(Part of where I want to go with this.
I'm not sure of that, yet.)

(^ in test EYE nul MODlin'

2008-10-14T17:35:00.000-07:00

(^ Intrestin' fax about how to make folk crack a smile:
(^when highly trained not to.

(^ ye trick 'em
by distractin'
to the point
of emotional
overide.

(^ othersideswipe of Klein bottlenecked phrasology

2008-10-13T17:18:00.001-07:00

(^ othersideswipe
ofKlein bottlenecked
phrasology :
Latin was this;
A shortened mix of former words.
one syllable "words"
that represented different contents
(meanings), dependent on surrounding
three letter word/phrases
for context .
So.
now(s) are the times:
the time to
(s)know ...

from a piece written 11/17/1993

(^ old iguanaland darkside of mother goose shot

2008-10-13T17:18:00.000-07:00

(^ retoldtelled recall

2008-10-11T16:34:00.000-07:00

(^ thrOWN aspBawksWORDS
USe wYrd words.
(^list meme or yOURs:

(^ old transENscriptION 3/9/1995. on interactive movies

2008-10-07T14:30:00.000-07:00

Dear Vicky
Having worked at 7th Level in September reminded me
that back in march, 1995

I'd documented an idea that seems to be ripe right now.
I'll TRY not to be long winded about it...
kind of grew out of my ICONtact stroll eeries...
(some things look better than they sound)

There are some articles available to anyone
to back me up on my "thesis" ...ha..

From AOL, goto KEYWORD: SEVENTH
they might have press clippings available there.
(see Wall Street Journal Jul 19, 1995 article)
"Disney Deal Could Boost &th Level To A Plane Above Its Competitors "
(also see Daily News /Friday, August 25, 1995/L.A.LIFE WEEKEND-41)
"One-of-a-kind Battle Beast a tough act to follow"

*next year that company in expanding ....
Upgrade of Monty Python's Complete waste of Time is planned as one project...*

thanks for the fax #...my pager is ((^ defunctuated ^))
if anyone would like to clarify or hear more about my idea(s).

note ...this was thought about back in march...
so some of the will be/has been tense format is way off.
(and some bitterness still steaming)
please forgive my rushing a chunk o' stuff at you
...but I'd just like to know I told SOMEone:>)

I've chosen to clip pieces of the trans. and just talk about
WHY game development possabilities may be a way
to " git more fer yer 'mations' "

8:07AM 5/19/95 (Original transcription date)
BRIAN (me): Today is...the 9th of March.(95)

I've decided that I must re-contact Doug B.
to ask him if he'd be interested
in permanent storage space
out in the middle of Nebraska,
where the price may be
the allowed use of said equipment...
(far cheaper than storage facilities in L. A.)

or how much must I buy or rent it for?
...Now that he's using computers at home,
has storage of all his former tools for special effects
become a financial obligation?
....or are no longer continually being used

I want to try and convince Bezwick and Waller
to move into interactive Movies
...Interactive Television shows..
When will he and/or Don Waller get a break
from working on Hercules?

What happens if Hercules second series does NOT get picked up?

The combined skills of those two would be a powerful force in that venue.
Movies for the sake of movies is going to become obsolete.

Interactive Movies are going to take over..
(now Known as virtual reality...)
There's a lot of possibilities in that direction
that they have a large head start on.

They could get an even larger head start
on by starting a new company...

NOW !

Video, Film, Radio, and Computer Tech
are going to bash into each other,
and create this new form of art.
A brand new format of media.

It's already happening..

This movement started out by giving CD players
the capability to re-arrange
the song sequence playback..

Once that happened, the next step was
to give MORE listening options..
allowing the person listening to decide
what kind of undertrack they wanted.

Dance? Drummy? Bassy?
Which lyrics do we want to hear to what music?
Do we (the listeners)
want more re-verb on that one guitar lick?
How about cutting the guitar OUT of the song,
so the listener can practice THEIRS !

Basically;
give more control to the listener/viewer
over what they are hearing/watching.
(Look at Thomas Dolby's musical video/cd-rom...
Prince has starting to do the same.. )

CD-rom and computers' new juxtaposition
in the mainstream pubics' homes is leaving people
owning their own editing machines.

If they have the materials available to them for experimental mixing,
more will learn how to create..
.their "OWN" music.
.their "OWN" art.
..using clip art..
.and Medea encyclopedias.

There is no turning back.
People will come to not need special effects wizards.
More of the mainstream are going to insist on creative control
of what they choose to buy..

So..

The persons that create the initial,
or original multimedusa enCYCLOPSEdIDeas
will be the ones making more of the profits during the next 5 years.

I know that Doug and Don have the skills to do these things..
Especulaveally when it comes to animation sequences and sound bytes.

Now, in terms of interactive multi-media.. for T. V.
.
There will slowly be a move towards cable stations
selling hours of game play..
(see Nintendo's new cable station)
People who already know how to work on things
like the Hercules' series will have a one ups'man over everyone else..
They'll be hired quite often because
you gottah make not just one 15 second byte:
you gottah make 25 15 second bytes that all overlap..

Some video games are using scanned in actors fighting.
They make all these seperate sequences,
then save each in a seperate catagory
(in fall-down file,under, attack file, etc..)

Whoever's playing the game
can play the game w/out worrying about
how the computer accesses the fight sequences,
because the joystick is reformatted
to access different files very quickly,
like video quick flicks.
Same thing is going on with sound bites,
same thing could be happening with backgrounds, or rooms!

when you walk forward
you're accessing a 10 foot block of tunnel
or walking along the road,
and as you walk across the road
you'll come to a point
where there is an extra break
(or hairpin turn) off to the side ...

The way that I'm now writing is with 8 bibles,

There is not 1 bible that tells what's going on;
there are 22,
so you've got, for instance,
the Koran & the old Torah & the
KJB & the missing text; ... those are all different bibles, ...
& when you put them altogether,
you get close to the way this whole thing interacts.

When you know one thing, it almost makes sure that you forget something else,

or that each section of the game confuses the players' ability to remember other things going on.

They'll assume, " wait a minute, THIS is the truth; the other thing wasn't the truth.
This is now; everything's changed.

Actually, nothing's changed. It's merely both of these things are going on at the same time
in different areas of the world;
People's linear thought patterns will cause this game to be very challenging.
A person whose mind thinks circularly or that have done multiple, halucinogenic drugs,
will have a higher chance of going thru the game faster; anyone who thinks in 5 or 6 directions
on a consistent basis will understand more how to play this game.

People who play kill or be killed games will find this far more fascinating in its ability
to confuse and dis-orient one's ability to chose the "right" move.
You'll never know where the enemy/ally is coming from next,
because we've been trained into seeing only enemies in the game.
There is usually a big tag over the head of somebody who's a good friend;
everyone's in essence a hostage who's a little nervous in the corner,
and if you react to them in an aggressive manner, they'll react to you accordingly.

If, however, you went in and tried to become friends,
you'd find most "enemies" have all these wonderful talents & skills!
If you were to blow them away, later on in the game you would find yourself in trouble
because you don't know how to do something, and you've killed the one person
who could have trained you to do them.

Or, far worse than having killed somebody who could have trained you, you've alienated them.
Now, you've got a real nasty enemy.
It would no longer be a problem of : "gosh, they can't hurt me and they can't help me;.."
... now they WANT to hurt you. ...
Now, you're in TROUBLE ...

If you kill them, you have their WHOLE FAMILY after your butt.

If you don't kill them, you may only have ONE person who wants to hurt you.

Therefore, as you play, you slowly try to make amends to anyone you accidentally hurt,
and try to give them skills you have that they don't have,
and in so doing cause them to be willing to give you some of their skills.

Now, let's talk tools:

I've got a hoe; you've got a shovel.
I need to dig a bigger hole;
you need to make some lines in the ground
so that your well that you dug with your shovel can be of use to you.
..."wanna SHARE?"...
Then, we,d BOTH have a farm going !!!! Thank you! Oh, great!
"Oh, You're going to make corn? Then I'll make hay! Great! Now we can work together!

Not, "You build corn; I'll build corn." No, no, no, no. We'd end up in competition with one another.
...and noone in their right mind wants to compete when collaberation is attainable.

Instead, I'll make hogs; you make corn.
You feed my hogs; I give you some bacon;
you give me some corn, and then we have a BETTER meal TOGETHER !

Then you'll run into some people who are made of corn, such as scarecrows.
Then you'll run into other people who are made of pigs, such as the Three Little Pigs.
Now you're in trouble, because you're creating and destroying their ancestors, and they're not happy.
Now, what d'ya do? Good question; we'll figure that out later in the game, won't we.

In essence, there is nothing that you can do that keeps you from harming someone, in the act
of helping someone else. And the whole game is how do you continue to flow as harmlessly and helpfully
as you can through the game. You will end up slapping someone or hurting someone in that process,
and then you must go back and make amends to the person that you had to harm in order to help someone else.

You had to push the little old lady out of the way of the car driving by, and in so doing, she gets hurt,
but she doesn't get killed, and she hates your guts and is yelling at you. And you're saying,
"Lady, I just didn't want you to get hit by the car." And then you find out that the guy who was driving the car
thought you were mugging his grandmother and was rushing to stop you and came to a screeching halt
before he would have hit grandma and he's getting out of his car yelling, "You're hurting my grandma."
Oh, goodness, now what? I thought I was doing the right thing, and I didn't. Does that mean that next time
I see a little old lady crossing the street with this big old semi running down the road at her,
does that mean I don't tackle her and move her out of the way? Do I just stand there and watch her get run over?
Or, do I yell, "Lady! There's a truck coming!" And then they get hit.
Or do you pick them up and move them and get hit by the semi.

DO YOU SACRIFICE YOURSELF, IN ORDER TO HELP OTHERS?

This is the biggest question,
the largest question that all of my games
will be continuously shooting home.
The point of the game is not to survive;
it is to help.

If you must help through killing yourself,
that's the best possible move you can make. Why?
Because no other game is set up that way.

Now, if I sent this tape off to Mr. Beswick,
I am taking a chance, aren't I?
Because I know that many of the people out in L.A.,
after 7 yrs of experience
dealing with different people out there,
are quite willing to take ideas and take things
without giving credit or giving finances to the people
who helped to create the ideas.

(....with no compuction whatsoever..)
To survive; they have wife & kids; I understand that.

I'm looking at a 10-15 or 20-yr program.

I'm looking at a 15-yr minimum business.

At the end of 15 yr I can see that slowly
we'd have to close down that shop and open up another shop.
But I need funding; I need people who know how to do grunt work.

I need people who can draw,
people who can do some voices,
who know how to do camera work,
who know how to process computers.

I need people who are willing to at least offer sight gags,
but the stories are already pretty much done.

They come right out of my head, and they're very specific.

I'm not willing to talk about them;
just the mere concept of some of them are easily tweaked
into another story that I would have no control over, such as
Peter and the Wolf done by 7th Level.

Or, the minor changing of the Aladdin game...
look at the differences between the Genesis version
and the Nintendo version.
There is not a sword in Aladdin's hands;
there are a lot of people who can talk about those things;
those minor changes; lots of people have those ideas.

Therefore, they are not copyriteable;
I cannot prove that I was the person who helped someone decide,
oh, well, so we make some other animations.
A lot of other people most likely have that same distasteful
feeling that Aladdin shouldn't have a sword in his hand.

But my stories, on the other hand, are not like that.

The overlapping,
the way that my games are overlapped,
the way that I've distorted, children's fairy tales,
is not like any other distortion of children's fairy tales;
this is a lot more Jonathan Swifty in nature.

You would have, for instance, one character
that I have not bothered to make part of the game;
therefore I have no problem handing it off, would be

Jon Swift Crappier: a mix of Jonathan Swift and Jean S. Crappier:
the initial patenting frechman who created the porcelain toilet.

So, you have the SwiftCrapper ! who is very, very fast at being witty, and makes lots and lots of fertilizer.
He's efficient, and he never gets dirty in the midst of doing it.
He makes lots and lots of sewage, and he can always come up with more.
And it's well-processed,it's a fine-running machine for illiterary farce ,

that's one character I've never bothered to use, (too close to home, I guess)

anyone can use that kind of a character;
he's shooting the shit,he's just throwing the stuff, my goodness,
the fertilizer that that shit can create is AMAZING!

That'd be a wonderful character, wouldn't it? ....

-----------------------------------------------------------------------------------------------

Ok. Dealing with the way this story interacts with itself,:

if you watched Back To The Future 2 ...
Back To The Future 1 was not designed w/ a 2nd film in mind...
therefore, some of the first movie had to be reshot so that the 1st and 2nd movies made sense together.

PP The reason that I feel it is crucial for me to have full editing powers over my game ...
*The reason that editing of Brian's artwork and stories should be checked at anytime ...

Quite often in the game the most miniscule details ... the non hero shots,
the shots that would barely be in your perpheral vision:
backgrounds may in fact be
**a whole other game connectors.
They may not be used in this game but later on an upgraded version game
(or in another game entirely).
example: If You walk over to a cow in the far right corner of background,
in game version 1. nothing would happen.
but in game version 3, you would meet a cow that talks :
in game version 3a, the cow would lead you to the Glass Onion Woman,
who gives the ability to back upo in time and fix some of your mis-steps...

another one: In the a background is a line of trees
that has a huge scorch line through the center:
The scorch marks cut a hole through the trees
in the shape of a skull : a stretched out Halloween pumpkin face
made out of scorched trees,
( easier to show in picture than verbally) .
This image May in one game be a background, but in the next game upgrade
you can walk over to those trees, walk THROUGH the trees into another game sequence.

**********************NOT For everyones knowledge***************************
pp the main purpose of my game is not to train people how to work in computers. (which it will)
is to teach people life skills that are being forgotten
Those skills that may keep you alive if all electricity was cut off to your home..
or..how to live in a non-technological society..

$$$ for funding purposes, one of the aspects of the game will be to teach cross platform usage.

my whole series will be computer literacy training games;
certain "cheats" in the game would "inadvertantly" teach programming skills:
You could learn to access and use paint files to create doorways: (icon builders),
learn how to work with DOS shells,(re-arrange and re-direct your character's history /event file)
you could learn Program Management via Windows,
or conversion graphics delemas from mac to pc ..
other sections could be teaching you UNIX commands,

that is how I plan on getting this funded, by writing this into the business plan,
you can skip knowledge or "cheat" as you play by using computer based commands ...

pp underneath and beyond those, the real purpose of the game is to teach people older skills
such as how do you make wool, how do you fabricate , how do you grow you're own plants,
this will be the other part of the teaching game, the whole thing runs like a video-comedy game.

or you can kick back and not worry about finishing THE GAME and instead ,start learning.

" wow! This one knows how to MAKE MAPS !",
(REALLY knows how to make good maps... will end up teaching you architectural skills.)
"wow! This one knows how to COOK STUFF !
(REALLY knows how to cook... have easy bake recepies for solar cookers..)
And, Hey! someone ELSE knows how to DYE WOOL !
(REALLY knows how to dye wool... the old fashioned way...
using berries and emulsifiers.and where you buy certain materials in real life,
like actual names of large corporations who sell dying materials,
how to get a hold of farmers who own have sheep...)

ANYONE will be able to get this kind of information
by playing this game....THE LONG WAY.

(^ Bruce Bickford links dan bern singing background noise long ago:

2008-08-24T13:17:00.000-07:00

(^ so if you want to listen to some background noise just open that in a second window or tab: let it play while reading. have fun!

----------------- Original Message -----------------
Date: Aug 24, 2008 12:40 PM

(^ this first link is to something I made at Bruce Bickford's home whiole working on xena princess warrior. a quick test of the system on vhs dumping while fiddling with the playback speed and patching in sound from a cd made on site by Josh Zawaduk: Dan bern's backup all around band member on haitus at the time. this was a
perception player dump from 1997 Boar'sHead/Whore'sBed,

from
http://www.youtube.com/EdwoundWisent

(^ other places to see Mr.B. content:
http://www.brucebickford.com

(^ http://www.monsterroad.com

(^ oh yeah. and gale was FINALLY talked into THIS:

http://www.silentmovietheatre.com/calendar/events.html#ama

========

8/24 @ 7:30 & 9:30pm
Frank Zappa's The Amazing Mr. Bickford
The title is not an exaggeration. Bruce Bickford's art--a hallucinatory stop-motion amalgamation of Peter Pan, Ray Harryhausen, and The Wild Bunch--is nothing short of amazing. Frank Zappa first used the incredible talents of self-taught claymation wizard Bickford as visual companions to
his music in the film Baby Snakes, and continued this collaboration in The Amazing Mr. Bickford. On the film's original VHS cover, Zappa exclaimed, "Bruce Bickford is a genius!...Few other home video products can compare with the years of effort and attention to detail contained in less than an hour of The Amazing Mr. Bickford. It is a show that will be watched again and again, freeze-framed, and gasped at for years to come." Bruce Bickford will be in attendance for a Q&A after this incredibly rare screening.
Dirs. Bruce Bickford & Frank Zappa, 1987, digital presentation, 60 min.
Tickets - $14/ $10 for members

7:30pm

9:30pm

=====ANNnnd!====

8/26 @ 8pm
Cas'l and Other Unreleased Bruce Bickford Films
While the greater mass of animator Bruce Bickford's work seen by the public consists of the films he made while working for Frank Zappa, he never stopped working, either before or after his employ. We will screen some of Bruce's early Super-8 experiments as a teenager, as well as his unfinished 45-minute opus Cas'l, the inspired result of years of solitary work, featuring a live score by The Gaslamp Killer. Also, Bickford will perform on of his "blues raps", with musical accompaniment by Gerry
Fialka.
Tickets - $14/ $10 for members

=================

try hitting woundupwounded@gmail.com
if you wants to talk with me.
(^ I'm sort of one of Mr.B's personal not so secret contact.
(^ We've been dragging him out in public lately.
(^ oh . hey. where in the world are you? btw? just curious.
----------------- Original Message -----------------
From: COSMIC CHEESEBURGER
Date: Aug 18, 2008 7:31 PM

Wow!!!You know Bruce Bickford??
I am impressed!!How did you meet him?? oxoxoxoxo Jim

(^ lived in his basement while working for flat earth productions back in 1997.
(^I'm kind of his personal computer assistant.
(^ your taste in stuff and friends was nice. thanks for helping me find links to jimmy carl black.
(^ do you know if he's dead yet or not?
(^ last I heard cancer was eating his ass alive.

----------------- Original Message -----------------
From: COSMIC CHEESEBURGER
Date: Aug 19, 2008 7:39 PM
I jammed with Geronimo black a few times after the show,they introduced themselves to me!!!A big portion of Jimmy's family and the Grandmothers sat at the table with us!!!Jimmy's wife sat on my lap most of the time we were there!!!It was great!!!Does Bruce have a page??It's very nice to have you as a friend!!!! oxoxoxoxo Jim

----------------- Original Message -----------------
From: Gusty Swirl
Date: Aug 19, 2008 6:19 PM
(^ ...yep.

(^ an(^ another link to someone interested in bickford contact

2008-08-13T19:36:00.000-07:00

subject		Premiere Screening of Hurqalya, 7:30pm, Friday, Aug. 15th (1)

hide details 3:58 PM (3 hours ago)

Brian

Great talking with you today. Great to hear Bruce is going to be able to see his stuff on a big screen, Great that you want to help spread the word about this new stop-motion feature of mine.

Below is the Festival Announcement and here is the link to the trailer

enjoy

http://myspacetv.com/index.cfm?fuseaction=vids.individual&videoid=39268418

Also feel free to visit my website to see my past work for peops like Serj Tankian of System of a Down and more
www.POLYMORPHproductions.com

I remain:
Tawd b. Dorenfeld

Downtown Film Festival
is proud to present for the first time in America.
after it's World premiere in the Slovakia Republic,
Tawd b. Dorenfeld's tour-de-force, self-animated Feature Film, "Hurqalya"
(Other World
a feature film unlike any other since the beautifully animated works of
the Silent Era.

"HURQALYA"

Written/Directed/Animated by Tawd b. Dorenfeld

This Friday
August 15th, 7pm, Laemmle Grande, Downtown LA

Advanced Tickets available at www.DFFLA.com

this is limited seating, there will be some tickets at the door

[IMAGE]

With pride the Downtown Film Festival, LA chose to showcase Dorenfeld's
Hurqalya

as their Main Theatrical and Televised Film Festival Trailer
and now
the festival requests that you please attend the US Premiere of
Hurqalya
in full form accompanied by a most remarkable soundtrack scored and
recorded live
by world renowned composer Trey Spruance and his equally gifted band of
musicians the Secret Chiefs 3
(past Spruance collaborations include John Zorn, Mike Patton, & more)

The Story:

"Hurqalya"(Other World)

A willful man takes the shape of an oblivious goat
in hopes to discover the value of death in a world overwhelmed by its own
ideologies.

ACT I
Act of one man's employment

The Man is granted his mission to become a Goat in order to bea locks of
the call
and is required to employ seven mates to form and embellish the Man's
right of passage.

The Goat and Company hitch a ride with a wandering Cult of Numbers,
where Goat learns that his best friend Soldier and Soldier's runaway,
Lover Veneylla
seek a Gold Trimmed Saber in hopes of healing Soldier's self-inflicted
wound.

ACT II
Lovers
Land of Lovers and inevitable future changes

Here, the Goat must choose to save or sacrafice his friend the wounded
soldier to the Sincere Sultan.

ACT III
Act of Denial

Goat finds himself alone and questions if he is being followed or led by
his own oracle.

Confused, and fearing a death without value,
the Goat turns to the Soiled Horse with a series of questions
only to partake in a riddling conversation that leads to the Goat's first
death by the flames of his own innocence.

The Goat's composited thirds go through a series of deaths:

First death by innocence,
Second death upon the Gold Trimmed Saber,
and the third death by an abundance of belief.

ACT IV
Act of He

After Goat loses his purpose of character, and personality,
the thirds of the Goat rush for a final chance of salvation by feasting
upon a myriad of philosophies,
and learning "All-Law."

...only to be returned, baptized by the Soil that weaned the fine Goat.

ACT V
Act of Me

The Secret Chapter.

Please come to the Premiere. Thank you.

This Friday
August 15th, 7pm, Laemmle Grande Theater, Downtown LA

(^ flik R THIS, missed STIR! ^)

2006-11-18T03:00:00.000-08:00

another wHOLE to look through